musiMentor Teacher Maria Thompson Corley Piano

From this Teacher: Advanced PianoPractice Technique The Pianist'sGuide to Touch Dr. MARIA THOMPSON CORLEY Juilliard-trained pianist offering tools for controlling tone color and conquering technical challenges. While earning her Masters and Doctor of Musical Arts at...
Why should I play J.S. Bach’s 2-part inventions? (Blog)

Why should I play J.S. Bach’s 2-part inventions? (Blog)

Why should I play J.S. Bach's 2-part inventions? Hello, I am Fernanda Machado and I am musiMentor Piano at iClassical Academy. My newborn course is all about J.S. Bach's 2-part invention No. 10, and I'd like to tell you more about the possibilities mastering these...
CHOPIN ETUDE NO. 3, OP. 10

CHOPIN ETUDE NO. 3, OP. 10

CHOPIN ETUDE NO. 3, OP. 10 CORNERSTONE LESSON CHOPIN Chopin was one of the few composers who considered the Etude as an original composition, not only a piece to develop concepts and technique, so he wrote his 24 etudes also to have the player enjoying the piece...
LISZT PRAELUDIUM NACH J.S. BACH, SCHLAFLOS!, EN REVE, BAGATELLE

LISZT PRAELUDIUM NACH J.S. BACH, SCHLAFLOS!, EN REVE, BAGATELLE

LISZT PRAELUDIUM NACH J.S. BACH, SCHLAFLOS!, EN REVE, BAGATELLE CORNERSTONE LESSON LISZT An exhaustive masterclass about differences and similarities amongst four important Praeludium; some parts are interpreted in different ways and compared to each other. Master...
BEETHOVEN PIANO SONATA NO. 23 APPASSIONATA

BEETHOVEN PIANO SONATA NO. 23 APPASSIONATA

BEETHOVEN SONATA NO. 23, OP.57, APPASSIONATA CORNERSTONE LESSON BEETHOVEN The composer himself described this composition Appassionata as one of the best he ever wrote, and it is no doubt the most celebrated of Beethoven’s piano sonatas; the 1st movement, reporting...
Why Online Music Lessons Are So Effective

Why Online Music Lessons Are So Effective

Why Online Music Lessons Are So Effective With the dawn of the internet, there is now a decades-old argument as to whether or not learning an instrument or piece of music online is better, or if musicians should simply stick with the old-fashioned in-person approach....