It's a typical "song without words" in which bowing can make a huge difference. So the focus is making the sound go all over your audience, and cleverly distribute up and down strokes to sustain some notes, and delicately offer others. Professor Gyorgy Pauk Assistant: Elena Kawazu.
MENDELSSOHN VIOLIN CONCERTO IN E MINOR, OP.64, 2ND MOV
ultima modifica: 2021-09-07T14:51:01+00:00
da iClassical Foundation
